For M.
Lucky Bird
JCD Kerwin
You say trail mix
looks like
something the birds
would eat.
Well,
maybe if I chow
enough raisins and seed,
I’ll grow feathers
and fly us
away.
(Sept. 2014)
For M.
Lucky Bird
JCD Kerwin
You say trail mix
looks like
something the birds
would eat.
Well,
maybe if I chow
enough raisins and seed,
I’ll grow feathers
and fly us
away.
(Sept. 2014)
Not particularly well-written, but the idea still delights me.
Blink This
JCD Kerwin
I often dream
about the so-called
“Rise of Machines.”
I picture blenders
and ice machines
flinging food at passersby.
I imagine
the computer reaching,
wrapping chords
around my knees.
I bet the coffee pot
has got
some built-up steam
toward all us
impatient, cranky beings.
I confess I adore
the image of
automatic doors
sounding like Hal.
In any case,
I sort of wish
these robots would
amass and attack.
It’d sure explain
why everything I own
runs like shit.
(Sept. 2014)
This is non-fiction, fiction.
…Figure that one out.
Bayoneting Sustenance
JCD Kerwin
I stay up all night,
watching the History Channel tell me about
all the presidents and what made them
(or didn’t make them)
a great leader.
It’s a marathon,
a marathon of watching me
grow more apathetic with every
click of the goddmaned
ticking machine.
(I hate that clock…
I guess I don’t care—
enough to get rid of the clock,
I mean…)
I live off coffee and cigarettes
like some teenage model with
anorexia.
But I’m content,
to thin, and
sink farther into upholstery.
Maybe by the time I emerge
as a tattered little butterfly,
the world will be long-gone.
Maybe I’ll find an unused stick
of cancer
buried in these cushions.
Worth a shot.
Or two.
(Sept. 2014)
Intimidate-shun
JCD Kerwin
the more
you implore
i listen, and
you open
that foul mouth
and spit,
the more
i think
you look
just like
a hippopotamus
prostitute.
(Sept. 2014)
The Collector
JCD Kerwin
Max Sullivan collects people.
He sits, day in and day out, on the edge of the marble fountain in center square, and watches. He calculates the movement of every passersby; he has learned to read the movements of his fellow man. He waits, sometimes for hours, until he spies the perfect specimen. Sometimes they are young; sometimes they are old.
Once, it was a 40-year-old woman who had broken the heel of her shoe. She carried the sandal in her hand and a look of despair on her face. She seemed uncomfortable in her tight skirt and low-cut blouse. It was dark blue and scattered with small, yellow flowers. By Max’s standards, she wore far too much makeup. She was trying much too hard to be something she was not. He captured her to remind himself that humans are a desperate creature.
One Tuesday, Max was in awe of a young man with dark black hair. He waltzed from his executive high-rise with an earpiece in his ear, and greed and sophistication in his eyes. He stepped over a homeless man by a garbage can; pushed pigeons from his path with shiny leather shoes. Max captured him to remember that human beings are cruel.
Today, it is an older woman with graying hair and graying eyes that catches Max’s attention. She walks with a cane and hunches as she makes her way to the bench. She smiles as her long journey ends, and pulls out bread for the birds. Max moves close by. He likes the way she smiles. He looks to make sure no one is watching and lifts his hand. He presses the shutter and is pleased with the image. She reminds him that humans are not that bad.
Max scrolls through his pictures and disappears into the crowd. He will collect again tomorrow.
(Sept. 2014)