Happy as a Chondestes grammacus

Hey, I did it. I finished The Novel that Will Get Me Published. It was kind of surprising, actually. Finished is around midnight, Monday morning this week. When I realized I was done, I just kind of stared at my computer screen for a while. I think the shock has worn of now…I think. Hey, come on, the thing took me eight years to write–but I did most of it in the past year. And now it’s done.  The first book I wrote in a year; the second in five years. (Those ones suck. I don’t want to talk about those.) But this one is weird. It’s different. It’s…special. Aww. No, seriously, it is.

Now I can’t look at it for a couple days. But then I’ll go back and read it. Then I’ll start editing. I already know who I’d like to send it to for critiquing. Then after that: some more editing! Then it’ll be time to put together publishing packages [which I remember so fondly]. (Oh, look how excited I am! I’m already thinking of everything I get to do next! I’m happy as a lark. A darling lark!… ‘the hell kinda bird is a lark anyway?)

In honor, I suppose this poem is appropriate:

Scriveners
JCD Kerwin

My pen writes
in a different way
each time I hold it,
as if to say,
“They’re not done yet.”

(December, 2011)

And my break’s over. Stay off drugs, kids.

Punching Snowmen

The other night I was out with M and I was talking about something inane having to do with either my novel or writing in general. M hadn’t the foggiest what I was talking about and I got frustrated because despite M’s apparent interest in my annoying “writer talk,” it sometimes becomes quite obvious that I’m simply being humored.  So right then at the bar I went on a terrific rant [the following], much to M’s blinking surprise. (Thankfully I dropped the whole thing and we went on to talk about NBA All-Star weekend and MJ’s 50th birthday…Rightly so.) M really deserves a cookie or something for putting up with my shit.

I think one of the worst things other writers spew off to me is this: “I only write for myself. You don’t? That’s terrible!” and then they look at me like I have five heads. I find it admirable that some writers have only ever given a damn about doing this one awesome thing for themselves–cool–but others. Wow. The ones who tout they “write for themselves” as if it’s some sort of accomplishment, though still plaster their work across the internet or have several published works. If their claim were really true and they were some sort of purist, why the hell do they give a damn if anyone ever sees their work?

I have never once in my life ever simply “written for myself.” It’s because when I was a kid I read to be saved. I read stories written by my heroes because they saved me. SAVED ME. And I decided then, when I was a stupid kid, desperately wishing to run away, that I wanted that, too: to save people. So I started telling stories…I write to save people. Do I write because it’s what I have to do? Yes. Because if I didn’t, I’d die? Yes. For all the same reasons as any other writer? Yes. But just “writing for myself?” No. Jesus, that just sounds selfish. I will absolutely admit that I (somehow, someglorioushow) save myself with the actual process of writing stories. You betch’ya, I do. But in the end I couldn’t give a shit about saving myself from all the monsters that ever haunted me. I want to save everyone else because once upon a time some guys named JRR Tolkien and Ray Bradbury saved me by flashlight when I was tired of hoping maybe “it all” would just go the hell away. Once upon a time I decided that maybe if my heroes could save me, I could do that, too. Maybe I could give people a reason to believe in “once upon a times” again, too.

Fuck.

Because I’m Not Feeling Mushy Today.

Made of Clay
JCD Kerwin

I’m not much of anything.
I’m just a something
some guy
in a white cloud
decided to form one day
because he knew
I’d be damn entertaining.

He laughs
at all my fuck ups
and wonders why
he never made
me earlier.

Or maybe I’m molded
after some broken Edo samurai,
who gave their heart
to save the world.

Maybe I’m a rock star
incarnate,
pretending and faking
to be a hero up on stage.

Maybe I’m not
special at all;
I just think I am
because it makes
words on paper
seem more worthwhile.

June, 2011

Tick Tick Organic Bird Machine

Because sometimes even nice dinosaurs need to roar.

Paradoxodynamo
JCD Kerwin

I am suspended. [I have suspended time.] I can move the pieces of the universe around with my fingers and feel the earth ripple beneath my toes. The world is slow-moving and the freeze frame rotoscope turns around me. I can feel the planet breathe.

I am organic machine. I’m flying in and out of your aviaries like a mechanical bird with a ticking heart—nickel-sized—ready to fit inside your pocket. I have no particular place to go, but I want to hide from the everyones of the world. Let me bury my head in the sand. Let me tick away in the dunes.

Let me dream, invisible.

I am ten thousand voices screaming directions to a mannequin. I close my eyes because when I open them I might finally be real. Do you ever fall asleep at night, wondering what pills you have to take to wake up normal? Do you ever look in puddles and spy dogs you weren’t really meant to be? I laugh over coffee as Irish blue hues say it’s all because I’m a writer. You can act like different people when you’re a writer. You can write fifty different ways when you fuck words all day, having had a bittersweet love affair with them for years. It’s okay to be so many people, then.

But it’s not me to be them. “It’s not me,” I want to say to that Irish grin. “Don’t you see? I smile three ways and you think it’s okay because you love who I am inside. But sometimes I don’t know who I am, so how could you?” (They just smile, but I don’t think they can smile wide enough to save me anymore. I might need shock therapy instead.)

I fade, sometimes. I drown out existence with methodic reverberations. I run with my eyes closed. (If you listen with your eyes open, you suffocate.) So I walk around the city, holding out my hands. I hope if I touch so many ghosts, I might start to feel their heartbeats through my fingertips. Maybe I’ll start to feel connected to the same oxygen-breathing creatures I walked forth from murky waters with, once upon a Mesozoic time.

If God were here he’d laugh with me, I think. I’d buy him a drink and he’d flip quarters into shot glasses while telling me I’m right: It really is a big fucking joke. He’d tell me to have a laugh and to suck down my Jack before it gets old. Then we’d throw crumbs to the pigeons and he’d cry when the taxi cabs and buses run them over. He’d pick up the bloody messes and eat the carcasses, making them whole again in his form. And I’d stare while he’d put a pair of Oakley’s over his without-a-color eyes, kiss my forehead, and light up a cigarette for the way back to Heaven. He’d give me a thumbs-up, tell me I’m a moron and that it’s all okay, and I’d believe him.

I scream, voiceless. I make a billion mirrors shatter because I hate to see myself in their reflection. I’d rather stand myself atop pedestals in my dreams, and follow voices of gods superseding fairytales my mother sewed into my pockets when my eyes were full of stars. They tell me I am dynamite. So I’ll let loose the vibrant chromaticity burning inside of me and it will set the skies on fire. I’ll make the Aurora Borealis explode in the chaos saturation of my soul.

But I’m not dreaming in the cosmos; I’m stuck in grey raindrops, and that’s okay. I’ll just grab a five dollar fedora that some old man wore in some other life and follow my Chucks to wherever I’m supposed to go. I can’t be certain about anything, but maybe when I finally decide to stop thinking, the stars won’t seem so damn far away.

Nov., 2011, rev. July, Nov 2012

Black Butterflies

Le Papillon Noir
JCD Kerwin

I want to cake my eyes in eyeliner
and have it smudge black blots
into my retinas.

I want to drink battery acid,
exhale fire, and
run flat-out for miles
before I vaporize.

I want to make my fingertips
speed like bikers
across a guitar’s neck
and have the world
scream my name
like I’m fucking its brain.

I want people to call me god
when I’m licking my lips
and shouting rhymes
into a microphone
with my eyes closed.

I want to be
a psychotic entertainer,
making words out of fire
like I’m a mastermind
hyped up on amphetamines
and painkillers.

I want to paint naked
at midnights,
abdominal muscles throbbing
with each brush-stroke,
and acrylics dripping
down to my toes.

I want people to gaze
at my masterpiece
and see me,
reflected like lighting
in glass clouds.

I want to be Oblivion
in thunderstorms
and create magic
with my heartbeats.

I want to fly
like butterflies
when they’re getting
ready to die:
headstrong and determined
to leave a mark
before they’re gone.

I want to be.
Want to be.
Want to be.
Your fucking papillon.

July, 2011