Waltz of the Flydragon

Had something. Then I didn’t. Then I did. Still not sure. All I know is I was mad/upset about something at the time. Also, “fly” ‘cos its usually considered insignificant, but a dragon isn’t…Yeah…Get it? I tried.

And I this still needs work.

Waltz of the Flydragon
JCD Kerwin

I pound fists against the wasteland like I’m beating out the reflection on the windowpanes, the reflection I don’t want to see that the world keeps shining back; the one I want to make fade into a thousand shattered Neverwases and Yestermemories. I phantomdream. I phantomdream in the claustrophobic every days, silently dreaming everyone’s pandemic voices into some sort of half-assed remedy for the moment’s pain. I make-believe. I make-believe of happy fucking butterflies and hackneyed, skipping stones gallivanting across Walden pond made tepid and trivial in every grownup’s dead and buried imagination. Maybe I will take a boat and sail, stop and drop an anchor, and wait until the whole damn vessel sinks. The dead water to carry us home like all the ships before.… (The sea maiden and me: We will dance in suspension like the frost fish.)

But I am not finished.

I light up cities and jump-start my own heart, shouting at gods like I’m Oblivion. I will stare at you with glowing irises, like I am captured, freeze-framed in the night by a thousand spotlights. Catch your own lost dreams within my eyes; count your memories and fairytales within the spark. I make supernovas collide. But someday when I’ll dance on cosmic stars, you won’t see because you never opened your eyes. My heart will skip beats and you will miss it when I leave the room, miss it when I grab hold of whatever dragon I dug from whatever faraway mountain I dreamed, once upon a time.…

Now I inhale, breathe ink dust, and explode.

(August, 2013)

On Faith and Rejection

Faith is…interesting.

To be clear, I’m not talking faith in the theological sense because that’s a whole other can of worms I’m not in the business of cracking open today. I’m talking faith and writing…or faith in writing. (Or is it faith to write?)

I think everyone is pretty much on board with the belief that art is a means of self-expression, and I think all artists can agree that if we didn’t do art we’d probably die. But I think there are also people who would agree that art in general is an unappreciative profession. To me, art is very much a “give” profession. Artists get very little back. As artists, our hope is to share everything—our emotions, our thoughts, our passions, our love, our worlds, our “babies,” as we so affectionately call our creations,—with complete strangers in hopes of sparking something in them, reaching them somehow. But at the same time, we are leaving our work and ourselves open to rejection, and in some cases a lot of pain comes along with that.

I’ve realized that one of the hardest things to do is to wake up in the morning and keep writing. (You can apply the same idea to anything you do, or simply living…Hell, I think we’ve all had our share of that.) You can find tons of inspirational quotes by your favorite author telling you how hard it is to keep writing, but how you must because if you’re really meant to write then you will keep doing it.

Quotes are all well and good, but when it comes down to it, it’s your call if you keep going. Yeah, encouragement is helpful, but it’s up to you whether you throw in the towel. Angels can sing gumdrop-y promises in your ear and demons can whisper shadowy doubts in the other, but every decision lies in your gut. And so if you’re like me, you roll out of bed, cursing and grumbling and looking like you got in a fight with a couple Harley riders and their Rottweilers, even though you’ve really just been fighting with yourself because you really are just as much of a determined, solitary jackass that your mother thinks you took after your father and turned out to be.

But I’ve recently noticed this is hard for people “on the outside” to see.

I don’t remember to how many magazines, journals and publishing houses I’ve sent my work. I don’t remember how many rejection letters I’ve gotten back, but I know how it feels when I get them.

And I think I look like this when I get them:

Let me drown my sorrows in a transparent pool of vodka.

It sucks, and I always tend to wallow in my own shallow little puddles of alcohol and shame, but I eventually get over it.

But I suppose most people think it’s more like this:

Nuclear-Bomb-Mushroom-Cloud

“My life is over!!!” quotes some teenage girl’s diary.

I suppose because it is my passion and I’ve done this for so long and am determined? So when I get rejected they think I am (or should be?) more upset?

Nobody likes being rejected. It sucks. I might be damn-near miserable for a few hours (or days if I had my eyes full of stars for something) after I get rejected, but I get up again. And that’s what separates the men from the boys, so to speak.

When I used to be on this online art community site, I remember a fellow writer told me she got 100 rejection letters and then “gave up.” What? You gave up? Preposterous! That was unfathomable. Part of me felt bad for her because 1) she didn’t believe in herself enough to keep going and 2) I just don’t like to see people give up. But at the same time, a little voice in my head yelled, “What the hell is wrong with you?! Get up! Keep going!” But I didn’t say that, and I realized how tiny of a line separates writers (or artists in general): the ones who get up and ones who don’t.

So if your face is sore from being bitch-slapped with 15 red “REJECTED” slips in a row, but you still get out of your self-made gutter and wipe the snot off your nose to write or send out your work again because maybe, just maybe, the words you bleed will make someone out there shiver because that’s all you ever wanted: to make someone feel something, even though you know there’s the very real possibility you’re just gonna go through all that rejection again, well then, congratulations, pal, you’re gonna fucking make it.

That’s called faith.

It’s not someone holding my hand; it’s not someone telling me I’m gonna be “awesome someday;” or that my mother always said I talk like a writer (What does that even mean? And how does a writer talk? I don’t know, but I was always pretty sure it probably wasn’t like me.); and it sure isn’t debating if I should give up after Rejection Letter #100. It’s feeling like shit when I read “Sorry, this didn’t work for us,” but still sending out my work  because I think it is and I am good enough. It’s waking up in the middle of the night and writing a poem or part of a short story or novel even though the only person who might ever like it is me. Because it doesn’t matter if I get 100,000 rejection letters, or if I never get published; I will keep writing because it is what I’m meant to do.

If you can say that, then you’re probably meant to be a writer and don’t really need me or anybody else to tell you.

Faith. Y’know? It’s what George Michael said.

Fly by Fire

Fireflies on water by Yayoi Kusama

Free Fall
JCD Kerwin

Maybe someday I
can make the city
burn with words,

but all I really
want to do
is  fly.

(July, 2013)

Tick Tick Organic Bird Machine

Because sometimes even nice dinosaurs need to roar.

Paradoxodynamo
JCD Kerwin

I am suspended. [I have suspended time.] I can move the pieces of the universe around with my fingers and feel the earth ripple beneath my toes. The world is slow-moving and the freeze frame rotoscope turns around me. I can feel the planet breathe.

I am organic machine. I’m flying in and out of your aviaries like a mechanical bird with a ticking heart—nickel-sized—ready to fit inside your pocket. I have no particular place to go, but I want to hide from the everyones of the world. Let me bury my head in the sand. Let me tick away in the dunes.

Let me dream, invisible.

I am ten thousand voices screaming directions to a mannequin. I close my eyes because when I open them I might finally be real. Do you ever fall asleep at night, wondering what pills you have to take to wake up normal? Do you ever look in puddles and spy dogs you weren’t really meant to be? I laugh over coffee as Irish blue hues say it’s all because I’m a writer. You can act like different people when you’re a writer. You can write fifty different ways when you fuck words all day, having had a bittersweet love affair with them for years. It’s okay to be so many people, then.

But it’s not me to be them. “It’s not me,” I want to say to that Irish grin. “Don’t you see? I smile three ways and you think it’s okay because you love who I am inside. But sometimes I don’t know who I am, so how could you?” (They just smile, but I don’t think they can smile wide enough to save me anymore. I might need shock therapy instead.)

I fade, sometimes. I drown out existence with methodic reverberations. I run with my eyes closed. (If you listen with your eyes open, you suffocate.) So I walk around the city, holding out my hands. I hope if I touch so many ghosts, I might start to feel their heartbeats through my fingertips. Maybe I’ll start to feel connected to the same oxygen-breathing creatures I walked forth from murky waters with, once upon a Mesozoic time.

If God were here he’d laugh with me, I think. I’d buy him a drink and he’d flip quarters into shot glasses while telling me I’m right: It really is a big fucking joke. He’d tell me to have a laugh and to suck down my Jack before it gets old. Then we’d throw crumbs to the pigeons and he’d cry when the taxi cabs and buses run them over. He’d pick up the bloody messes and eat the carcasses, making them whole again in his form. And I’d stare while he’d put a pair of Oakley’s over his without-a-color eyes, kiss my forehead, and light up a cigarette for the way back to Heaven. He’d give me a thumbs-up, tell me I’m a moron and that it’s all okay, and I’d believe him.

I scream, voiceless. I make a billion mirrors shatter because I hate to see myself in their reflection. I’d rather stand myself atop pedestals in my dreams, and follow voices of gods superseding fairytales my mother sewed into my pockets when my eyes were full of stars. They tell me I am dynamite. So I’ll let loose the vibrant chromaticity burning inside of me and it will set the skies on fire. I’ll make the Aurora Borealis explode in the chaos saturation of my soul.

But I’m not dreaming in the cosmos; I’m stuck in grey raindrops, and that’s okay. I’ll just grab a five dollar fedora that some old man wore in some other life and follow my Chucks to wherever I’m supposed to go. I can’t be certain about anything, but maybe when I finally decide to stop thinking, the stars won’t seem so damn far away.

Nov., 2011, rev. July, Nov 2012