On Faith and Rejection

Faith is…interesting.

To be clear, I’m not talking faith in the theological sense because that’s a whole other can of worms I’m not in the business of cracking open today. I’m talking faith and writing…or faith in writing. (Or is it faith to write?)

I think everyone is pretty much on board with the belief that art is a means of self-expression, and I think all artists can agree that if we didn’t do art we’d probably die. But I think there are also people who would agree that art in general is an unappreciative profession. To me, art is very much a “give” profession. Artists get very little back. As artists, our hope is to share everything—our emotions, our thoughts, our passions, our love, our worlds, our “babies,” as we so affectionately call our creations,—with complete strangers in hopes of sparking something in them, reaching them somehow. But at the same time, we are leaving our work and ourselves open to rejection, and in some cases a lot of pain comes along with that.

I’ve realized that one of the hardest things to do is to wake up in the morning and keep writing. (You can apply the same idea to anything you do, or simply living…Hell, I think we’ve all had our share of that.) You can find tons of inspirational quotes by your favorite author telling you how hard it is to keep writing, but how you must because if you’re really meant to write then you will keep doing it.

Quotes are all well and good, but when it comes down to it, it’s your call if you keep going. Yeah, encouragement is helpful, but it’s up to you whether you throw in the towel. Angels can sing gumdrop-y promises in your ear and demons can whisper shadowy doubts in the other, but every decision lies in your gut. And so if you’re like me, you roll out of bed, cursing and grumbling and looking like you got in a fight with a couple Harley riders and their Rottweilers, even though you’ve really just been fighting with yourself because you really are just as much of a determined, solitary jackass that your mother thinks you took after your father and turned out to be.

But I’ve recently noticed this is hard for people “on the outside” to see.

I don’t remember to how many magazines, journals and publishing houses I’ve sent my work. I don’t remember how many rejection letters I’ve gotten back, but I know how it feels when I get them.

And I think I look like this when I get them:

Let me drown my sorrows in a transparent pool of vodka.

It sucks, and I always tend to wallow in my own shallow little puddles of alcohol and shame, but I eventually get over it.

But I suppose most people think it’s more like this:

Nuclear-Bomb-Mushroom-Cloud

“My life is over!!!” quotes some teenage girl’s diary.

I suppose because it is my passion and I’ve done this for so long and am determined? So when I get rejected they think I am (or should be?) more upset?

Nobody likes being rejected. It sucks. I might be damn-near miserable for a few hours (or days if I had my eyes full of stars for something) after I get rejected, but I get up again. And that’s what separates the men from the boys, so to speak.

When I used to be on this online art community site, I remember a fellow writer told me she got 100 rejection letters and then “gave up.” What? You gave up? Preposterous! That was unfathomable. Part of me felt bad for her because 1) she didn’t believe in herself enough to keep going and 2) I just don’t like to see people give up. But at the same time, a little voice in my head yelled, “What the hell is wrong with you?! Get up! Keep going!” But I didn’t say that, and I realized how tiny of a line separates writers (or artists in general): the ones who get up and ones who don’t.

So if your face is sore from being bitch-slapped with 15 red “REJECTED” slips in a row, but you still get out of your self-made gutter and wipe the snot off your nose to write or send out your work again because maybe, just maybe, the words you bleed will make someone out there shiver because that’s all you ever wanted: to make someone feel something, even though you know there’s the very real possibility you’re just gonna go through all that rejection again, well then, congratulations, pal, you’re gonna fucking make it.

That’s called faith.

It’s not someone holding my hand; it’s not someone telling me I’m gonna be “awesome someday;” or that my mother always said I talk like a writer (What does that even mean? And how does a writer talk? I don’t know, but I was always pretty sure it probably wasn’t like me.); and it sure isn’t debating if I should give up after Rejection Letter #100. It’s feeling like shit when I read “Sorry, this didn’t work for us,” but still sending out my work  because I think it is and I am good enough. It’s waking up in the middle of the night and writing a poem or part of a short story or novel even though the only person who might ever like it is me. Because it doesn’t matter if I get 100,000 rejection letters, or if I never get published; I will keep writing because it is what I’m meant to do.

If you can say that, then you’re probably meant to be a writer and don’t really need me or anybody else to tell you.

Faith. Y’know? It’s what George Michael said.

Stardust

Apparently I was having a self-pity fest when I wrote this.

The Crab Nebula in Taurus, courtesy ESO

Stardust
JCD Kerwin

sometimes i find myself
standing waist-deep
in linguistic shit.

i never said i wanted to be like Kerouac,
or Ginsberg reading Eliot and
cracking jokes to a strung-out William Lee.

i just wanted to hold something up to glass eyes
worth more than dilapidated statues
torched and tagged in my mind.

i saw my whole future once
in a pocketful of sand,
but i let it blow away in words
i heard when i was young:

You’ll never be a wordsmith star.
And Bradbury wouldn’t care how far
You want to go.

i can’t form any semblance of sentences
when my mind’s an opium den
of ego-hipster’s ten-dollar words
i don’t fucking recognize.
the stuff i spew must only equal
a pot of verbal diarrhea no one
wants to hear.
i write the shit i know
and that’s the law i live by.
but that ain’t gonna do
when no one cares for
the dream i stupidly built in play-doh
when i was nine.

city lights can’t give
hope to a broken country kid
with nothing worth to give.
or at least that’s what the corporate jokes say
when i let them tear my heart and say
“no thanks.”
and you know, i think they’re right—
i’m an idiot to think
my scribbles will save the world.

(‘cause words are the only thing
that defines our world and
tie us to each other;
but words can break you
and make you feel
like you are nothing.)

it’s damn hard to be strong
when the person you’re afraid of
is yourself.
i’m the only one
who hates and loves
what literary vomit
scratches paper from my pocket
full of stars.

i’d suck a stick and sit
with left-over writers
wreaking of bourbon and cigarettes
if it meant
i’d get
some reaction to the pity
i give myself.
(it makes me want to shove
a pen into my eye.)

but i’m on autopilot;
i still try.
i follow heroes in my mind,
even though i know
they’re made of stardust i captured
when i thought i caught my wish
somewhere back in time.

(Spring?, 2011)

Fly by Fire

Fireflies on water by Yayoi Kusama

Free Fall
JCD Kerwin

Maybe someday I
can make the city
burn with words,

but all I really
want to do
is  fly.

(July, 2013)

Mister Beauregard

Mister Beauregard
JCD Kerwin

Mister Beauregard has no heart. He keeps an antique, silver watch just above his breast coat pocket, just above his heart, so that the tick-tick-tocking mimics the thump-thump-bumping of a normal man’s heart.

He drives a Chevelle‘69, just to pass the time, as he listens to the tick-tick just above his breast bone, just across his chest, in his powder-blue, Chevy ’69. It’s leftover from the times he drove ‘till sunrise on the strip; ‘till he drove all night chasing phantoms in his vision while he looked at Mars. Now he sees shadows when he stares; he sees clouds when he knows it should be Heaven in the stars.

His eyes are made of glass, they say, because to buy his poor wife’s ashes he had to give his real ones both away. Her ashes sit near the magazines he never reads, and by the urn that keeps the fattest tabby you’d have ever seen. Its name was Max and it chased cedar waxwings in the yard.

He smokes cigars when he drives so far, and the smoke curls like clouds along the Sunset Boulevard. He dreams he’s somewhere that’s neverwhere and notquitehere because he can’t quite see or hear the ticking of reality the rest of us all breathe and fear. He’s someone else who isn’t here; someone who is nevermore…the ghost of Mister Beauregard.

(March, 2012…although I could’ve sworn it was older.)

Back Door Theology in a Whiskey Glass

**Disclaimer: Contains R-Rated and otherwise controversial content**

Back Door Theology in a Whiskey Glass
JCD Kerwin

I caught snowflakes on my tongue
once upon a time in July,
when the air cut like razorblades
and eggs fried on my brain.

I saw Jesus in a snowflake
when I was seventeen
and Jerry Garcia in a peanut
at twenty.
They both said the universe
isn’t all that large
and Andromeda is not that far
away.

At twenty-five I’m still thinking
about Jesus crackers
and pot leaves
fighting over the world.

I think God is a heroin addict
and It’s laughing at Man
running around with palm leaves,
and back-seat-driving Pope-mobiles.

(I think the Pope and the Queen
go fucking on the weekends
because the Devil makes them
do it. After all,
It’s got candy that’s enticing
to all us lollipop kids.)

I can’t seem to drink enough
to become an alcoholic,
but I’m still too inebriated
for AA to accept me.
I’m chasing horses out of bottles
lining shelves of “just another pub”
in some weird corner of my world,
and I’m not sure if this time
God will take a moment
to join me.

Lord fucking knows
I could use an omnipotent psychiatrist
like God
to sort through the mental shit
I’ve shoved in dingy closets
upstairs.

I don’t believe in angels
but if I did, I’d tell you
one has Irish eyes that glow blue
when they’re laughing, and
they saved my fucked up soul
from monsters in my head.

(Those monsters would make me
their marionette if I let them, but
when my Indigo turns Blue
they stay away and I don’t have to pray
to Jesus Garcia.)

And maybe if there’s Heaven,
it’s right here on Earth,
trapped between the Nowhereland
and Almost There that we’ve created.
They’re our excuses for Paradise,
but maybe Eden’s not man-made;
maybe you can’t find it in peanuts
or grape juice at the altar.

(I don’t care to know ‘cause I know
it’d just frighten me and
I’ve got enough things to be afraid of
looking in a mirror.)

I’m content to walk beside
the same jackass human beings,
because maybe someday
it will all make sense to me…

And I think Jerry might be smilin’,
snortin’ coke with Jesus,
while I’m down here laughin’,
‘cause I found an angel and Paradise
before them.

(April, 2011)